今天大學(xué)路小編為大家?guī)砹?023年9月28日雅思閱讀考試真題及答案(2023年10月16日雅思閱讀考試真題及答案),希望能幫助到大家,一起來看看吧!
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2023年9月28日雅思閱讀考試真題及答案
您好,我是專注留學(xué)考試規(guī)劃和留學(xué)咨詢的小鐘老師。在追尋留學(xué)夢想的路上,選擇合適的學(xué)校和專業(yè),準(zhǔn)備相關(guān)考試,都可能讓人感到迷茫和困擾。作為一名有經(jīng)驗(yàn)的留學(xué)顧問,我在此為您提供全方位的專業(yè)咨詢和指導(dǎo)。歡迎隨時提問!
昨天剛剛結(jié)束了最新一期的雅思考試,大家有沒有被難倒呢?接下來就跟著小鐘老師來看一看2023年9月28日雅思閱讀考試真題及答案。
Passage1: 希臘硬幣Greek coinage
參考答案:
1. 希臘coin早在3000年就出現(xiàn)了=F
2. T
3. Sparta地區(qū)侵略Athens并強(qiáng)制Athens用他們的貨幣=F
4. Great coins在整個歐洲流傳=F
5. Persian 入侵了Lydia并且使用人家的硬幣=T
6. 用硬幣上的頭像來獎勵做出杰出貢獻(xiàn)的人=NG
7. mint
8. stamps
9. anvil
10. reserve dies
11. 希臘硬幣的重量至少=0.15g
12. 硬幣的圖案=the king的頭像
13. 希臘被波斯征服之前的花紋是lion and doil
14. coin 在雅典被稱為 owl
Passage2: 悉尼交通標(biāo)識Street markers in Sydney
Passage3: Musical Maladies
參考答案:
A. Music and the brain are both endlessly fascinating subjects, and as a neuroscientist specializing in auditory learning and memory, I find them especially intriguing. So I had high expectations of Musicophilia, the latest offering from neurologist and prolific author Oliver Sacks. And I confess to feeling a little guilty reporting that my reactions to the book are mixed.
B. Sacks himself is the best part of Musicophilia. He richly documents his own life in the book and reveals highly personal experiences. The photograph of him>C. The preface gives a good idea of what the book will deliver. In it Sacks explains that he wants to convey the insights gleaned from the enormous and rapidly growing body of work>complex and often bizarre disorders to which these are prone." He also stresses the importance of the simple art of observation" and the richness of the human context. He wants to combine observation and description with the latest in technology,” he says, and to imaginatively enter into the experience of his patients and subjects. The reader can see that Sacks, who has been practicing neurology for 40 years, is torn between the old-fashioned path of observation and the new-fangled, high-tech approach: He knows that he needs to take heed of the latter, but his heart lies with the former.
D. The book consists mainly of detailed descriptions of cases, most of them involving patients whom Sacks has seen in his practice. Brief discussions of contemporary neuroscientific reports are sprinkled liberally throughout the text. Part I, Haunted by Music," begins with the strange case of Tony Cicoria, a nonmusical, middle-aged surgeon who was consumed by a love of music after being hit by lightning. He suddenly began to crave listening to piano music, which he had never cared for in the past. He started to play the piano and then to compose music, which arose spontaneously in his mind in a torrent of notes. How could this happen? Was I the cause psychological? (He had had a near-death experience when the lightning struck him.) Or was it the direct result of a change in the auditory regions of his cerebral cortex? Electro-encephalography (EEG) showed his brain waves to be normal in the mid-1990s, just after his trauma and subsequent conversion to music. There are now more sensitive tests, but Cicoria has declined to undergo them; he does not want to delve into the causes of his musicality. What a shame!
E. Part II, “A Range of Musicality,” covers a wider variety of topics,but unfortunately, some of the chapters offer little or nothing that is new. For example, chapter 13, which is five pages long, merely notes that the blind often have better hearing than the sighted. The most interesting chapters are those that present the strangest cases. Chapter 8 is about “ amusia, ” an inability to hear sounds as music, and “dysharmonia,”a highly specific impairment of the ability to hear harmony, with the ability to understand melody left intact. Such specific dissociations are found throughout the cases Sacks recounts.
F. To Sacks's credit, part III, "Memory, Movement and Music," brings us into the underappreciated realm of music therapy. Chapter 16 explains how "melodic intonation therapy" is being used to help expressive aphasic patients (those unable to express their thoughts verbally following a stroke or other cerebral incident)>G. To readers who are unfamiliar with neuroscience and music behavior, Musicophilia may be something of a revelation. But the book will not satisfy those seeking the causes and implications of the phenomena Sacks describes. For>appears to be more at ease discussing patients than discussing experiments. And he tends to be rather uncritical in accepting scientific findings and theories.
H. It's true that the causes of music-brain oddities remain poorly understood. However, Sacks could have done more to draw out some of the implications of the careful observations that he and other neurologists have made and of the treatments that have been successful. For example, he might have noted that the many specific dissociations among components of music comprehension, such as loss of the ability to perceive harmony but not melody, indicate that there is no music center in the brain. Because many people who read the book are likely to believe in the brain localization of all mental functions, this was a missed educational opportunity.
I. Another conclusion>patient. Treatments mentioned seem to be almost exclusively antiepileptic medications, which "damp down" the excitability of the brain in general; their effectiveness varies widely.
J. Finally, in many of the cases described here the patient with music-brain symptoms is reported to have "normal" EEG results. Although Sacks recognizes the existence of new technologies, among them far more sensitive ways to *yze brain waves than the standard neurological EEG test, he does not call for their use. In fact, although he exhibits the greatest compassion for patients, he conveys no sense of urgency about the pursuit of new avenues in the diagnosis and treatment of music-brain disorders. This absence echoes the book's preface, in which Sacks expresses fear that the simple art of observation may be lost" if we rely too much on new technologies. He does call for both approaches, though, and we can only hope that the neurological community will respond.
27-30:B C A A
31-36:YES NG NO NG YES NO
37-40:F B A D
希望以上的答復(fù)能對您的留學(xué)申請有所幫助。如果您有任何更詳細(xì)的問題或需要進(jìn)一步的協(xié)助,我強(qiáng)烈推薦您訪問我們的留學(xué)官方網(wǎng)站
,在那里您可以找到更多專業(yè)的留學(xué)考試規(guī)劃和留學(xué)資料以及*的咨詢服務(wù)。祝您留學(xué)申請順利!
2023年10月16日雅思閱讀考試真題及答案
您好,我是專注留學(xué)考試規(guī)劃和留學(xué)咨詢的小鐘老師。在追尋留學(xué)夢想的路上,選擇合適的學(xué)校和專業(yè),準(zhǔn)備相關(guān)考試,都可能讓人感到迷茫和困擾。作為一名有經(jīng)驗(yàn)的留學(xué)顧問,我在此為您提供全方位的專業(yè)咨詢和指導(dǎo)。歡迎隨時提問!
閱讀考試是雅思考試中占分比重比較大的類型,需要大家認(rèn)真對待。以下是小鐘老師為大家整理的雅思2023年10月16日閱讀考試真題及答案,僅供參考。
2023年10月16日雅思閱讀考試
Passage 1
主題:貿(mào)易船競爭
參考答案:
Passage 2
主題:IQ
參考答案:
14-17 判斷
14.FALSE
15.NOT GIVEN
16.TRUE
17.TRUE
18-22 人名匹配
18.A
19.E
20.F
21.C
22.D
23-26 填空
23.scalp electrodes
24.inspiration and elaboration
25.alpha wave activity
26.flexibility
Passage 3
主題:旅游業(yè)的發(fā)展
待更新
雅思閱讀分?jǐn)?shù)對照表
雅思9分對應(yīng)閱讀39-40分;
雅思8.5分對閱讀37-38分;
雅思8.分對應(yīng)閱讀35-36分;
雅思7.5分對應(yīng)閱讀33-34分;
雅思7分對應(yīng)閱讀30-32分;
雅思6.5分對應(yīng)閱讀27-29分;
雅思6分對應(yīng)閱讀23-26分;
雅思5.5分對應(yīng)閱讀20-22分;
雅思5分對應(yīng)閱讀16-19分;
雅思4.5分對應(yīng)閱讀13-15分;
雅思4分對應(yīng)閱讀10-12分;
雅思3.5分對應(yīng)閱讀6-9分;
雅思3分對應(yīng)閱讀4-5分;
雅思2.5分對應(yīng)閱讀3分;
雅思2分對應(yīng)閱讀2分;
雅思1分對應(yīng)閱讀1分。
雅思閱讀題型介紹
選擇題
選擇題其實(shí)是在考你對于原文中提及的一些詳細(xì)信息的定位能力。你需要快速讀懂題目并選擇出正確的選項(xiàng)。往往除了正確選項(xiàng)以外還會有幾個迷惑選項(xiàng)給你*陷阱,你必須憑借原文中的特定信息來排除它們(或定位正確選項(xiàng))。
Summary填空題
這種題目一般是將原文的某一部分信息先進(jìn)行了一個總結(jié),然后設(shè)計(jì)了一些空讓你填空。你有可能需要用原文的單詞進(jìn)行填空,也可能需要用所給出的一些單詞進(jìn)行選詞填空。(詞比空多)由于是對原文的總結(jié),所以這段題干的內(nèi)容在原文中肯定是出現(xiàn)的,但是絕對不會是原文重現(xiàn),而是用一些同義詞對原文的關(guān)鍵詞進(jìn)行替換。
完成句子
這種題目一般是有幾個句子中間有空讓你用原文中的單詞去填。其實(shí)這種題目更多的考察你的意譯能力,即題干中的句子跟原文中的句子是兩個同義句,表達(dá)的其實(shí)是同一個意思,考察你的同義詞掌握能力。一般題目開頭會有這么一句話 ”ChooseNO MORE THAN TWO WORDS from the textfor eachanswer”注意,NO MORE THAN TWO WORDS就是不能超過2個單詞,只能填1個或2個;此外,from the text 意味著你只能填原文中的詞匯,而不是自己去編一個。
句子配對題
這種題型就是給你兩組不完整的句子讓你根據(jù)原文的信息進(jìn)行配對。這種題型并不像 TFNG,填空題那么常見,但我們備考的時候也要練習(xí)。這種題的主要目的就是看你是否讀懂了句子,是否了解原文的大意。給出的選項(xiàng)要遠(yuǎn)遠(yuǎn)多于給出的題干,一般是從 8-9 個句子中選 5-6 個進(jìn)行配對。(所以排除法也是可以運(yùn)用的)
判斷題(TFNG)題型
判斷題又稱“TFNG”題,要求你根據(jù)原文的信息對給出的題干進(jìn)行判斷。
標(biāo)題配對題
標(biāo)題配對題又稱 heading 題,需要你把題干中列出個段落標(biāo)題與原文段落配對,主要就是考察你對文章每一段段落大意的掌握情況。heading 一般都是對某一段信息的簡單總結(jié),你必須找出那個最恰當(dāng)?shù)囊粋€,一般來說 headings 多于段落。
圖表題
顧名思義,就是根據(jù)原文提供的信息來完成一個圖表(通常都是圖),原文一般都是描述一個流程,描述一個東西等,有點(diǎn)類似我們小作文的流程圖或地圖題。
人名配對題
題目要求你根據(jù)原文把某個專家,研究員,科學(xué)家等的言論,觀點(diǎn),發(fā)現(xiàn)或成就等與題干配對。
雅思閱讀提升技巧
1、快速瀏覽全文
考生最好用1—2分鐘大致瀏覽全文,以便掌握文章的結(jié)構(gòu)。
這一步驟雖短,但卻是訓(xùn)練及解題過程中的重點(diǎn)。文章的篇章結(jié)構(gòu)模式可以幫助考生更好地理解內(nèi)容,并理順句子或段落間的關(guān)系,以便在做題過程中有重點(diǎn)的跳讀。
2、解析題目
首先,無論遇到哪種題型,考生都應(yīng)盡可能地找出一些關(guān)鍵詞,以便迅速定出答案可能所在的區(qū)域。其次,考生應(yīng)對各種題型有較深入的理解。
尤其是每種題型的應(yīng)對方法。拿Matching的題來講,在General Reading和Academic Reading中就不一樣,一個是Matching of Information,另一個是Matching of Paragraph Headings,兩種題型的做法不一樣,在前者,考生應(yīng)將注意力集中在題中,將每個問題的核心詞標(biāo)出來,然后根據(jù)這些核心詞去文中找相應(yīng)的信息。
在后者,考生的注意力應(yīng)放在歸納文章上,在進(jìn)行核心詞分類后,就要對文章的結(jié)構(gòu)和每段的重心進(jìn)行歸納與分析,找出各段的主題詞,然后在段落的首句中找出相應(yīng)信息。
3、注意詞形變化
考生一定要特別注意詞形變化、同(近)義詞或是相關(guān)詞,因?yàn)轭}目中出現(xiàn)的詞不一定和文章中出現(xiàn)的詞一模一樣。
考生在平時訓(xùn)練中尤其要培養(yǎng)這方面的敏感度。核心詞盡量以信號詞為主,其次才是關(guān)鍵詞。
4、攻克單詞和句子閱讀
雅思閱讀是考試一大難點(diǎn),很多考生在閱讀上失手。其主要存在以下幾個難點(diǎn):單詞、句子閱讀、閱讀速度和考生主觀臆斷。
準(zhǔn)備單詞卡片,循環(huán)背誦一般雅思閱讀中涉及詞匯量比較大,但考生具備4000左右即可應(yīng)考。單詞貧乏的考生,一定要及時補(bǔ)充詞匯,打下扎實(shí)的基礎(chǔ)。在應(yīng)試時很容易遺忘或混淆單詞的意義,為了避免類似情況發(fā)生,一定要加強(qiáng)單詞意義的理解。
5、句子參考上下文,分析主謂結(jié)構(gòu)
在句子理解方面,考生最容易犯的錯誤就是根據(jù)自己已有經(jīng)驗(yàn)片面理解。
雅思閱讀中有的題目考的是對于文章中某一句子的理解,要參考上下文客觀地看問題。考生應(yīng)對一些復(fù)合句,尤其是雙重否定句、比較句、指代句等有較深了解。
特別在遇到復(fù)雜句時,應(yīng)靜心思考,從把握句子主干一一主謂結(jié)構(gòu)著手來分析解剖句子結(jié)構(gòu)。
6、學(xué)會做標(biāo)記
雅思閱讀追求速度(speed)與準(zhǔn)確度(accuracy)的完美結(jié)合。快而不準(zhǔn)或準(zhǔn)而太慢都會影響考分??忌谇趭^練習(xí)的時候掌握一些閱讀技巧將達(dá)到事半功倍的效果。
快速閱讀最關(guān)鍵的是在掃描全文的時候把握每段的主旨,并做出標(biāo)記,在看完全文后對文章的結(jié)構(gòu)主題有大致的了解。此外,考生以單詞為單位看文章,遇生詞就停頓等壞習(xí)慣都要極力避免。
希望以上的答復(fù)能對您的留學(xué)申請有所幫助。如果您有任何更詳細(xì)的問題或需要進(jìn)一步的協(xié)助,我強(qiáng)烈推薦您訪問我們的留學(xué)官方網(wǎng)站
,在那里您可以找到更多專業(yè)的留學(xué)考試規(guī)劃和留學(xué)資料以及*的咨詢服務(wù)。祝您留學(xué)申請順利!
2021年9月25日雅思閱讀考試真題及答案
雅思考試是出國留學(xué)的學(xué)生,會選擇的語言測試之一,考試之后還要查閱真題和答案。以下是我精心整理的2021年9月25日雅思閱讀考試真題及答案,僅供參考。
2021年9月25日雅思閱讀考試真題及答案
Passage 1
主題: 作家傳記
參考答案:
1-6 判斷
1.False
2.Not Given
3.False
4.False
5.False
6.True
7-13 填空
7.1906
8.stories
9.family
10.bankrupcy
11.fund
12.reputation
Passage 2
主題:現(xiàn)代*業(yè)
Passage 3
主題:體育賽事的主場優(yōu)勢
雅思閱讀評分標(biāo)準(zhǔn)
想必正在備考雅思的同學(xué)都知道,雅思閱讀是分為A類和G類的,這兩類的不同分別是針對留學(xué)和移民兩種方向的考生,兩中類型的評分標(biāo)準(zhǔn)也略有不同,首先為大家介紹A類閱讀的評分標(biāo)準(zhǔn)。A類閱讀為學(xué)術(shù)類,一般是針對留學(xué)方向的考生,其中三篇閱讀大致40道題目,回答正確39-40題為9分滿分;回答正確37-38題為8.5分;回答正確35-36題則為8分,以此類推最終推算至回答正確4-5題則為3分;回答正確3題為2.5分;回答正確2題為2分;僅回答正確1題為1分。
而G類閱讀因?yàn)橹饕菫橐泼耦惖目忌鷾?zhǔn)備的,所以整體閱讀風(fēng)格會更偏于培訓(xùn)類,具體評分標(biāo)準(zhǔn)如下:回答正確38、39、40題的考生分為可得8分、8.5分、9分,而后則是兩題遞減0.5分,例如回答正確36-37題可得7.5分;回答正確34-35題可得7分,最后只回答正確1題的考生同樣可獲得一分。
雅思閱讀技巧
雅思閱讀方法(1)概括地觀察Survey
首先略讀每章或每頁的大概內(nèi)容,例如:可從書本的序言和目錄開始,通常作者會在序言中交代撰述的重點(diǎn)及動機(jī),而目錄則可幫助你了解課本的組織架構(gòu)及章節(jié)層次;閱讀課文的名稱title,主題 main headings 及副題 sub-headings;注意每一主題的頭一句,導(dǎo)言 introduction 和本章提要summary(如果有的話),圖片說明 captions to all graphics 等,這樣,你不用十五分鐘便對內(nèi)容有概略的了解。
雅思閱讀方法(2)提出一個全面的問題Write a general question
觀察課文內(nèi)容后,提出一個包含所有閱讀資料的問題,把問題寫在每章節(jié)的開首,令自己可以看到此問題時,便憶起全部內(nèi)容。
雅思閱讀方法(3)提出各別問題來引導(dǎo)閱讀Write questions to guide your reading
當(dāng)你看到主題、副題、圖片及首句時,由此而提出有關(guān)問題,寫在題目或圖片旁邊,幫助你閱讀文章內(nèi)容。
雅思閱讀方法(4)尋求問題的答案Read to answer the questions
閱讀章節(jié)時,盡量跟隨你的問題來找答案,把握課文重點(diǎn)。
雅思閱讀方法(5)在答案下劃線Underline words that answer the question
在了解一段內(nèi)容后,找出解答問題的重要字key words及短語phrases,并劃記下來。在劃記時可選用熒光筆,既方便又快捷。
雅思閱讀方法(6)修正問題 Revise the questions
如果在閱讀時,發(fā)現(xiàn)問題并未得到解答或不明確,可重新寫下問題,并將有關(guān)答案的字詞劃記。再重讀文章,遇到不明白的地方,再請教導(dǎo)師或同學(xué)。
以上就是大學(xué)路整理的2023年9月28日雅思閱讀考試真題及答案(2023年10月16日雅思閱讀考試真題及答案)相關(guān)內(nèi)容,想要了解更多信息,敬請查閱大學(xué)路。